I'm having a Paula Rego time at the moment which is a state of mind so hard to describe other than by telling you it has a Paula Rego-ish feel. Motor away from the state of my mind and have a look at Paula's work in the Tate Gallery and in The Saatchi.
Like it or loathe it, one thing is certain about Paula Rego's work and that is the fact that you cannot ignore it. So, as there is an etching by Paula on the cover of the poet Amanda Dalton's book, 'How to Disappear', methinks this is a good example of a paradox.
The title poem is extraordinary & it too reflects my current state of mind, but can I find an example of it on the net? Noooooo! Well that's not quite true because I found one copy, but it was on a site so sharply bleak that I backed out as quickly as can be.
It's a beautiful poem - taut, haunting & another 'sticker' that I would try to persuade you to read over & over again if only I could find you a copy. Dang, dang & double dang!! I can take you by the hand to the Poetry Book Shop to meet Amanda and her poem 'Cut Off', but as I can't find 'H to D', I'm going to leave Aunt Jennifer in the Life's Candle slot.
I've only had my copy of Amanda's collection of poems for a week, but I've been utterly faithful to it ever since, which is a reasonably rare occurence for me. Her work is extraordinarily visual & accessible which are qualities that I greatly appreciate because, not only am I'm a slow thinker, but I'm very lazy too. So lazy in fact, that as I can't find a copy of the poem nor a painting that I'm allowed to paste into this entry, the paradox remains unillustrated!
How's that for saying something about nothing :-)