Welcome to the art of curiosity; my personal amble through the worlds of art, crafts, books & all manner of other curiosities. You'll find examples of my jewellery & art work plus an account of how I'm attempting to confound depression & my bipolarity by pursuing my creativity. There's a lot of whimsy too; my mind set is distinctly frivolous at times!

So, Dear Reader, won't you join me on my journey?

Showing posts with label Beverley's beads. Show all posts
Showing posts with label Beverley's beads. Show all posts

Wednesday, 13 February 2008

Trying a little longer...



I set myself the task of making up some earrings which are a little longer than my normal range so my Flickr Gallery now hosts photos of eight sets of earrings which measure from between 55 mm to 70mm.



Featured here are ( from the top) a set of gorgeous 'Glowing Stacklets' featuring beads by Emma Ralph, some 'Rosy Tubular Belles' which are a stunning showcase for the work of Laura Sparling & below, a pair of 'Paradise Stacklets'. These beads were created by Beverley Hicklin & their beauty is utterly hypnotic.



I am SO LUCKY to be able to play with beads such as these!!

Monday, 6 August 2007

Introducing 'The Big Easy: Savannah'


May I introduce you to 'The Big Easy' bracelet. Why have I chosen this name? Because these are big babes with a big agenda - these are not your regular chain bracelet. No matter what you are wearing, put one of these on & you are DRESSED - you've got seemingly effortless Parisian shrug-off chic nailed! No one will miss the fact that you are a stylish force of nature - that you are creative & artistic right down to your bones. You are someone to pay attention to - 'The Big Easy' is your calling card. It's as simple as that!

I'm making a lot of claims about 'The Big Easy' but I can do so because of the sheer mass of compliments that these ladies have attracted. As soon as my rib allows me to pick up my jewellery kit again, I've already got two commissions to fulfil. My clients had a wonderful time looking through my bead trays!

Not only do I play with beautiful art beads, semi precious stones & my signature totem adornments, but I pay attention to space too. As any artist will tell you, negative space is an integral element in the composition of a work of art - in assembling The Big Easy' bracelets, my aim is to embrace this concept too.

'Savannah' features some of Beverley Hicklin's exotic, graphic beads from her 'Out of Africa' series. Two sets of beads by Emma Ralph are also on display - her flamboyant Flamenco Tabs and the hauntingly, beautiful Lunaris nuggets. These soft, luminous & ethereal beads shift colour & pattern in a glorious yet delicate interplay with light.

I hope you like 'The Big Easy' bracelets. Assembling them is a wonderful adventure for me :-)



Sunday, 15 July 2007

Sunday Part II: Art Bead Scene submissions for July

The theme for July's Art Bead Scene challenge is Mermaid's Grotto. Here are the pieces which I’ve submitted.



Mermaid Netscape
Featuring polymer clay beads by Emma Ralph.





Kronos Crab
Featuring a focal by Sally Carver & two 'handmaiden' beads by Beverley Hicklin



Diving Belle Barbed Bracelet
Featuring art glass beads by Emma Ralph



Liquid
Featuring polymer clay beads by Emma Ralph & glass nuggets & slices by Sally Carver

Monday, 18 June 2007

June ABS: 'Sweetie'



Art Bead Scene's challenge for June is 'Let them eat cake'. I love their challenges because their briefs are so cool & sassy. Entrants are invited to mull over the following:

'The theme for June is "Let Them Eat Cake." What does that mean? Anything related to sweets, treats, candy, Marie Antoinette, or France. Let your creativity feast on the possibilities.'


That description opens up an incredibly large vista for one's imagination to work on. I've entered two pieces already, but their challenge is so enticing that I want to think about a third. Is that greedy? Is that too much?


'Sweetie' is about candy colours & I entered 'Fondant Fancy' because Emma Ralph's beads are so utterly, totally perfect for the role.




Though I signed up for Illustration Fridays back in April, I haven't submitted anything yet. This week's word is 'Rejection'. I don't feel very drawn to this - oh, the pain of a pun!

I haven't played Stuff Portrait Fridays either, but my friend Jean does & it always looks such fun. I'm going to nose around Random & Odd and see what's what & where it's at!

Monday, 21 May 2007

perusing commonplace books

THE Empress of the Sea Necklace

I used to keep a Commonplace Book - well I still do, but it's badly neglected. My grandmother kept one, but her books & diaries disappeared when she died - no doubt Grandfather had a hand in this. Volumes containing the printed word were spared & now belong to me, but anything handwritten wouldn't have registered as important to him and as he was keen, as indeed are so many men, on bonfires ( & the quest for a perfect lawn) I would put my money on the flames.

I differ - I would have traded in the print for the handwritten.

Whilst I was rummaging in my study trying to find 'Moments of Truth: Twelve Twentieth-century Women Writers' by Lorna Sage ( I've got my nose in Djuna Barnes 'Nightwood' - I like to do battle with it every now & then) I found my copy of 'A Gentleman's Commonplace Book' by John G. Murray. You'll probably be relieved to hear that I'm not going to bore you with tales of the much missed publishing house of John Murray and its connections with Katherine Mansfield, Byron et al, but as part of my '100 things to know about me', I'm going to quote some of my favourite quotations from this delightful volume.

1. 'Life is what happens while you are making other plans.' John Lennon

2. 'The advantage of being married to an archaeologist is that the older you get, the more interested he becomes.' Agatha Christie

3. 'If you have nothing good to say about anyone, come and sit by me.' Alice Roosevelt Longworth

4. 'Please don't talk while I'm interrupting.' Todd Rockefeller

5. 'A house unkempt cannot be as distressing as a life unlived.' Rose Macaulay

6. 'Facts are not born free and equal.' C.V.Wedgewood

7. 'Some callers can stay longer in an hour than others in a week.' Anon.

8. 'If you do not expect the unexpected you will never find it.' Heraclitus

9. 'He has not learnt the lesson of life who does not every day surmount a fear.' Emerson

10. 'You must come again when you have less time.' Walter Sickert to Denton Welch

11.' There is less to him than meets the eye.' Tallulah Bankhead

12. 'The wider our experience the deeper our tolerance.' Anon

13. 'News is what governments don't want the public to know.' Donald Telford

14. 'One has to resign oneself to being a nuisance if one wants anything done.' Freya Stark (tell me about it)

15. 'We act as though comfort and luxury were the chief requirements of life, when all we really need to make us happy is something to be enthusiastic about.' Charles Kingsley.

Why of why, am I always so entertained by the impolite ones? I guess it must stem from my hatred of interruptions. I invariably become irritable & impatient. I wish my mind was fleet enough for wit - God was handing out slug brains on the day I was created.

Friday, 18 May 2007

Some Battle Books & why I use them.

An Elegant Wrist

Recently I've been asked about manic depression, endogenous depression and, for want of a better expression, crisis recognition. I'm an expert in only one area - me - so I will relate a little of my own story as well as a tale of the moment in which I saw a glimmer of light above me, even though I was at the bottom of a deep, cold & blasted hole. How can one be buffeted by ice cold, stormy winds whilst curled up against the brick & unyielding wall of your own personal pit? I don't know, but that's how it feels sometimes.

Some of you may feel that I shouldn't broadcast what I'm about to say, but I prefer to discuss it in the hope that my one voice will join the many who are now requesting that depression loses its stigma. So many people have themselves experienced depression, debilitating anxiety and other illnesses which bring on the dark night of the soul, but these conditions are viewed by many as guilty secrets. It is my belief that employers must reassess their response to mental illness - such a step would ease the lives of a vast number of people. In my opinion, such a move might also help to bring about an earlier recovery and possibly one that might endow the sufferer with greater resilience too.

So here we go. What is me? Why is me? What is wrong with me?

If you had asked me a year ago to describe myself, I would have said, 'mother, wife, daughter' and that would have been it. I did not know myself or recognise anything within myself. In my mind I was simply a series of roles and not a unified person. For a reason that I won't bore you with, I felt that I - my spirit - the essential me - had mentally died when I was 25. What remained was just a shell - a body - a thing. The professionals who have cared for me over the years haven't just marked me down as lacking self-esteem - they're fighting self-alienation.

During & after a conversation with one of the members of my CP Team last November, something began to change. I think I'm now beginning to 'read' myself & to recognise and identify some of the things about myself which may be useful tools to help me through the rest of my life. If it becomes a rewarding journey, so much the better. I would be happy if I could just say goodbye to the tortured thinking; if it also enables me to make the rest of my life a worthwhile experience, then I shall be blessed.

The CP guy I spoke to is really cool. He's down to earth, funny & full of common sense. He noticeably thought about what I said before asking further questions & he wasn't offended by my black sense of humour - in fact I think he enjoyed it. Sometimes he said that I flummoxed him. For instance, I asked him what was wrong with suicide - you can ask a vet to end your dog's suffering, but when a person wants to do the same for themselves, our society responds by declaring that they have lost their reason & sanity. He thought for a very long time before he smiled at me & said, 'You know, I don't know how to answer that one.'

He came to see me last November & I don't know why & I don't know how, but our conversation rapidly went 'off script' and we talked about a host of other things before he turned our discussion around to ask what I had wanted to do with my life before I hit an early & evil crisis that was unconnected with my troubled childhood. He listened to my answer. I had wanted to be an investigative journalist. It's my belief that most politicians don't themselves identify injustice - they're informed, but not insightful - whereas a writer can reveal & publicise an issue that needs to be addressed & confronted. This was the voice that I wanted to acquire - I didn't want power, but I did want to be a voice. Cool Guy asked why I wasn't doing this now. It took me a long time to confront the answer. I've lost my courage in myself. I have made it easy to hide from myself because I have appropriated blame & conferred it on to people & events that happened when I was younger. In other words, I am not using my early experiences to inform myself. Instead I am reinforcing the damage. By doing this, I avoid 'owning' my reaction to what has happened - instead I am caught up in the vortex of blame. But, as Cool Guy pointed out, this desire to hide & this lack of courage did not arise as a result of my childhood. I had actually emerged from my childhood with an ambition ( which is itself a measure of self-esteem) to write & report on what I had the courage to feel was wrong in the world. This could well have been a positive conduit. Suddenly I felt gripped - I felt that girl alive inside me. My childhood wasn't holding me back. I was not eternally cursed. Before my crisis, bad things had been stored inside me, but they had not overwhelmed me. They were not the trigger that caused my crisis though they did account for the unbearable flood that followed. Having been overwhelmed, I then became fearful & have remained so ever since. Cool Guy's suggestion was a simple one. 'Start with the girl', he said. 'Try to do what that girl would have done if she'd had the support that you have now when she met her crisis.'

That moment of feeling the vitality of the girl disappeared almost as quickly as it had appeared, but I recognised the taste of her freedom - she has reappeared on my horizon. I want to catch up with her. I can't go back & fulfil my earlier ambition, but once again, I WANT to do something of possible significance. I have to be careful though - I must tread carefully around bipolar. This is where the tool of creativity comes in. It's a mindful experience & it heals. I cannot change my thought processes without a lengthy period of careful work, but creativity is my balm & it also begins to feel like my future. If I don't manage to heal myself, I hope I will at least learn a method via which I can express my ideas & imagination. Either way, I hope to learn to be at peace with myself.

I need to scale the cliff faces of my DBT & CGT workbooks, but in these early stages, I am supplementing these tomes with my own researched list of 'Battle Books'. I should warn you that it's quite a long list and it's orientated to developing the life changing skills of mindfulness. It's been vetted by professionals so there's no quackery here.

The works of Nathaniel Branden

'Talking of Love on the Edge of a Precipice' by Boris Cyrulnik

'Fearless Creating: A Step by Step Guide to Starting & Completing Your Work of Art' by Eric Maisel

'Art & Fear: Observations on the Perils & Rewards of Artmaking' by David Bayles & Ted Orland

'The Van Gogh Blues: The Creative Person's Path Through Depression' by Eric Maisel

'Visual Journaling: Going Deeper Than Words' by Barbara Ganim & Susan Fox

The fun ones are:

'How to Make a Journal of Your Life' by Danny Price

'Visual Chronicles' by Linda Woods & Karen Dinino *

'Twyla Tharp's 'The Creative Habit; Learn It & Use it for Life'

Drawing on the Right Side of the Brain' by Betty Edwards - this book ostensibly teaches you about drawing but in my opinion, it's also a powerful course in mindfulness which is a key skill for people who suffer from stress, anxiety & depression.

'The Creative Licence: Giving Yourself the Licence to be The Artist You Really Are' by Danny Gregory. The latter's 'Everyday Matters' is a wonderful book too.

* To read more about Linda & Karen, head towards the 'Sisters on Sojourn' blog.

So there we are. A list of Battle Books that I thoroughly recommend.

Tuesday, 24 April 2007

awards four & five


A River Runs Through


I forgot to add my final awards yesterday. I'm not sure if Jeanette Winterson's column qualifies, but it's my party & I'll invite who I want to.

If you come away from either Jeanette's site or Kate McKinnon's without having learnt a single new thing, then I will buy a hat & eat it!




Number Four: Jeanette Winterson

Number Five: Kate McKinnon



Wednesday, 18 April 2007

Spinning in their graves? Warning - this entry mentions intimate parts of the body!


Kronos Crab


Via Radio 4, I have just been introduced to 'Menopause The Musical' which has crossed the Atlantic & can now been seen at the Shaw Theatre in London. I laughed all the way through the interview and couldn't help but wonder what Rogers & Hammerstein would think?

I'm a fan of 'The Vagina Monologues', but I've not seen 'Puppetry of the Penis'. Frankly I've no wish to see the latter - viewed as a design, in my humble opinion it's not the most attractive part of the masculine body.

I must bare my soul now & admit that I would rather give birth than sit through a musical (with the proviso that I had been pierced with an epidural first. One day, remind me to tell you about the birth of Ellie which was so excrutiatingly painful that I seriously considered throwing myself out of the window. At one point I also dived under the bed and refused to come out until they gave me something for the pain. This was one tantrum too many for OMD & he finally lost his temper with me and told me to stop behaving like a child. Don't you dare feel sorry for OMD though. After the birth of our son, he voiced the opinion that men evidentally have a higher pain threshold than women! I could tell you more of my husband's birthing sins, but the list is a long one & I don't want to bore you.) To get back to musicals, to please a dear friend, I did once sit through a performance of 'My Fair Lady' & it had the same effect on me as dragging chalk down a blackboard.

Despite my aversion to musicals, I wish 'Menopause The Musical' much success. Once again the women who sprang forth during the age of the baby boom are challenging the traditional view of women. As a grateful recipient of the changes that have resulted from this witty reappraisal, dear sisters, I sincerely thank you. You're doubly beautiful for doing it with humour.

Photographs of jewellery © Jennifer Dangerfield 2007

Tuesday, 17 April 2007

Paying tributes

Cy Twombly Hoopla Earrings

I count myself fortunate to have a husband who understands my passion for jewellery. Considering he's a Yorkshireman, this is a remarkable achievement. Unfortunately I forget to repay this act of respect. I constantly babble away whilst he's trying to listen to the cricket ( how long does The World Cup last? Months seem to have gone by!) and if there's a rugby match on the televsion, you can bet that Ms Dangerfield will unconsciously choose that moment to throw a hissy fit about the state of the house.

For some strange reason, he forgives me & I'm forever grateful for that. It's hard work living with a diva, but he seems to cope quite well. OMD ( Old Man Dickson), if you are reading this (which he won't be), may I pay tribute to your tolerance?
I would also like to pay tribute to the American painter, Cy Twombly but this time I've gone a little further down the path by dedicating some jewellery to him.
That I am able to do this is a tribute to the gifts of the English glass artist, Beverley Hicklin whose remarkable beads these are. Her painterly beads are great favourites of mine - they are a constant source of inspiration to me.
Of Cy Twombly's work, I cannot name any one particular painting that made me jump up & grab a bead tray but 'Leda & the Swan' and the paintings below are examples of what moved me.

Three studies from the Temeraire, 1998-99

I want these but apparently the Art Gallery of New South Wales has them so I'll have to hang them in my imaginary gallery instead. IMHO, the curators of this Gallery have 'awethome' taste and I therefore pay tribute to them too. I must also mention Lula & her delightul lisp. Without it, a word such as 'awesome' would seem stale & harsh and I therefore pay tribute to the lisp.
Rhetorical question coming up - what am I talking about?
Non rhetorical question - how do I space out my paragraphs?


Photographs of jewellery © Jennifer Dangerfield 2007