I'm not seeing eye to eye with photography at the moment so alas, I cannot bring you a picture of the iolite & amber necklace I've made which features a pendant by Kristie Roeder of Artisan Clay and a beautiful focal bead by Sarah Hornik. In the days of yore, I used to take photos in a tent-like set-up in which I could manipulate daylight with the magic of mirrors, but this voluminous rigging takes up a lot of room and there are currently too many demands on my workspaces for me to contemplate erecting a campsite on one of them!
I'm not as organised as I once was because I've filled life up with other things during my spell adrift from the world. There's my mark-making for one thing. I prefer not to call the mess I make 'drawing'. I LOVE to make marks, but as I don't want to make myself bitter & resentful for not turning in the perfect, presentable work I think of as drawing, I stick with mark making & my search for that one perfect, zen-like line that we can all achieve every now and then. It happens. And when it happens, it feels remarkable - all puns intended!! It's why I enjoy blind-contour drawing - the pressure is off and that line you've been longing for, seems to offer itself up much more readily when your eye's on the subject and your hand is freed from the judgement of your ocular article.
This week I've been making marks with my new Pentel Pocket Brush Pen which is used to extraordinary effect by such wonderful artists as Roz Stendahl. I've used brush pens before ( hello Sakura), but this is a real wayward beauty which offers a different experience to the others I've tried. I love it for it's a real Zen pen but it's going to take some time to get used to it.
Here's me struggling with my new pen, trying to get to grips with Gussie, our border terrier puppy.
What's with the neck?
I'm not as organised as I once was because I've filled life up with other things during my spell adrift from the world. There's my mark-making for one thing. I prefer not to call the mess I make 'drawing'. I LOVE to make marks, but as I don't want to make myself bitter & resentful for not turning in the perfect, presentable work I think of as drawing, I stick with mark making & my search for that one perfect, zen-like line that we can all achieve every now and then. It happens. And when it happens, it feels remarkable - all puns intended!! It's why I enjoy blind-contour drawing - the pressure is off and that line you've been longing for, seems to offer itself up much more readily when your eye's on the subject and your hand is freed from the judgement of your ocular article.
This week I've been making marks with my new Pentel Pocket Brush Pen which is used to extraordinary effect by such wonderful artists as Roz Stendahl. I've used brush pens before ( hello Sakura), but this is a real wayward beauty which offers a different experience to the others I've tried. I love it for it's a real Zen pen but it's going to take some time to get used to it.
Here's me struggling with my new pen, trying to get to grips with Gussie, our border terrier puppy.
What's with the neck?
Going loco - I backed myself into a corner & ran out of paper!
Forgive me for slipping in a ghastly old photo of a pastel of mine from days gone by, but for the sake of family record, I can't have Gussie in this post without also including the best friend a lass could ever have had. A beautiful girl - no longer by my side, but forever in my heart!
Gorgeous George
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2 comments:
Love your drawings, I could recognize the dog shape immediatly. Very abstract, great!
Thank you Melanie!!
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